Mar 22, 2006 

on poetry

Here is a poem of mine entitled: Of Women and Water. I've avoided posting it for a while simply because I don't trust myself to poetry anymore. In my current poetry-writing I'm akin to that proverbial girl who doesn't know who she is any longer by virtue of serial co-dependent relationships.

I used to love sonnets. Almost only sonnets. And Shakespeare the best. Though John Donne exceeded perhaps even Shakespeare in my estimation. Meter and rhyme and structural order were the only acceptable forms in my opinion. You should have seen the grief I gave my poetry writing workshop in college! I could not stand free-form, stream-of-consciousness poetry. It seemed lazy and rebellious to me. Especially all the

weird
----------------------------[ ]
s p a c ing and

goofy! misplaced...//...punctuation (?).

But one day I discovered T.S. Eliot and Seamus Heaney. Then Wendell Berry and Robert Frost. Eliot in particular convinced me that a more free-form poetry could be extremely well-thought-out, complex, and beautiful. So I loosened up, got with the times, and began trying my hand at some different forms. In particular I wanted to follow Eliot's lead and, while leaving a type of rhythmic meter and occasional rhyme, force imagery to do the intellectual work-load for the poem. This poem of mine is probably a result of my experimentation during this phase.

I suppose my reticence to share my own poetry is due to the fact that I'm not nearly convinced enough of my style as a worthy or legitimate one. I feel unsure of myself, like a newborn deer attempting its first stand. And though experiment is fun and there are supposedly no "rules" in poetry, I know that I used to have a lot more fun writing poetry when I knew the rules of the adopted form. Then you could abide in or break form with ease, aware of the intended effect. The challenge was to fit your vision into a microscopic little verbal world. What fun! And, man, I used to write poetry all the time. I don't write poetry any more. Too unsure? Too busy with life? Probably some of both. At any rate, I'm sharing this for what it's worth. And hoping that one day, as I continue to experiment with many adopted styles and forms, I might find my own peculiar, natural voice. Then maybe I would enjoy writing poetry enough to do more of it again...I know it would make my wife happy to receive a verse or two once in a while!

 

Faith and Doubt at Ground Zero

We just finished watching this 2002 Frontline (PBS) special. I have nothing but a bunch of overused adjectives to describe the experience of watching this documentary: poignant, heart-breaking, thought-provoking. I was moved to tears on several occasions; it took me two weeks to watch the thing in its entirety due to the weightiness of the subject matter. Here's the back-leaf description: "Faith was shaken on September 11, 2001, but exactly how did that day's tragic events affect the religious beliefs of Americans? This program explores that issue, through interviews with attack witnesses, survivors, friends and family of victims, and a cross-section of religious leaders. Agnostics, atheists, priests, rabbis and Islamic scholars share how the events of September 11 affected their spiritual and religious belief systems." The program is broken up into different acts, each with video and interviews concerning 9/11: the attack, The Face of Religion, The Face of Evil, and other subjects. It had been many years since I'd seen video of the attack on the WTC and the aftermath. Seeing it again is so horrific that one is simply brought to a stunned silence and grief. Some of the most stirring aspects of the program include (for me) the following: a montage juxtaposing the atonal chant of Islam and the high polyphony of Christianity, an interview with the Lutheran (LCMS) pastor who was brought under charges for participating in the interfaith memorial service in Yankee stadium, and a poetic imagination of the motivations comprising the decision by so many to jump out of the windows of the World Trade Center. There are so many deep and troubling questions put forth in this documentary that it merits multiple viewings, and much soul-searching.

Mar 20, 2006 

Forgotten New York

A former Brooklynite who now lives on my street in St. Louis just passed on the intriguing website Forgotten New York to us. An exapansive site, Forgotten's raison d'etre seems to be documenting the extant signs of old New York City persisting in the whirlwind of progress and gentrification. There are a multitude of pictures and history lessons, all categorized by neighborhood. I've only had time to look through a few of the Brooklyn links and am already fascinated, though I'm not sure how broad the website's appeal might be. For Park Slope related material start with the 5th Avenue and Prospect Park pages. (5th Avenue is one of Park Slope's two commercial centers; Park Slope is situated on the slope bordering Prospect Park, hence the name.)

Mar 16, 2006 

Aoplogies and a link or two, fwiw

Sorry for the recent paucity of blogging. I don't seem to have many original thoughts lately, and I also happen to be extremely busy as of late. Maybe I also have a case of the lenten blues?

At any rate, here are links to two articles concerning urban church planting that I've recently enjoyed. The City and Unreached Peoples is an article by urban missiologist Harvie Conn that asks "What is a City?" and describes what he sees as a faithful way to conduct church in the city's midst. Ministry in the New Global Culture of Major City-Centers (Part III) is a new article by Tim Keller that converges nicely in many ways with the essay by Conn. Enjoy.

Mar 13, 2006 

Austin Again

Another reason that I love Austin:




Wish I could be there...

Mar 10, 2006 

TheTruth Hurts

(from The New Yorker)

Mar 3, 2006 

chance?

This is really amazing. Just click the link, sit back and relax, and let the computer do the work for you. A composer friend of mine once showed this to me as an argument for order, repetition, freedom within form, and endless variation on simple themes in the artwork of both God and Man.